3/16/2024 0 Comments Colors of autumn 94 c nakex![]() ![]() Leymarie, Jean, Picasso: The Artist of the Century (New York: The Viking Press, 1972), p.Sakazaki, Otsuro, Picasso (Tokyo: Shueisha, 1972), p.Pick Collection,” Revue des Beaux Arts (December-January 1971), p. Gallwitz, Klaus, Picasso Laureatus: Sein malerisches Werk seit 1945 (Lucerne: C.Marlborough Gallery, Homage to Picasso (New York: Marlborough Gallery, 1971), p.Leymarie, Jean, Picasso: Métamophoses et unité (Geneva: Éditions d’Art Albert Skira, 1971), p.Abrams, 1970 London: Thames and Hudson, 1977), p. Maxon, John, The Art Institute of Chicago (New York: Harry N.Pick Collection (Chicago: Art Institute of Chicago, 1970), p. Art Institute of Chicago, The Grant J.70–71 (ill.), as Woman Under a Pine Tree. by Robert Allen (Geneva: Editions d’Art Albert Skira, 1969), pp. Art Institute of Chicago, Picasso in Chicago (Chicago: Art Institute of Chicago, 1968), p.El Mundo de los Museos, The Art Institute of Chicago (Madrid: Editorial Codex, S.Zervos, Christian, Pablo Picasso 18 (Paris: Cahiers d’Art, 1967), p.Schulze, Franz, “Picasso’s 70 Years As Art Innovator,” Chicago Daily News (September 14, 1966), p.James, “Twentieth-Century European Painting and Sculpture,” Apollo LXXXIV (September 1966), pp. Calendar of The Art Institute of Chicago LX:3 (May 1966), p.“Accessions of American and Canadian Museums in October-December 1965,” The Art Quarterly XXIX:1 (1966), pp.3 (ill.), as Nude Woman Under a Pine Tree. “Two Masterpieces Are Acquired by The Art Institute,” Chicago Sun-Times (February 19, 1966), p.Tono, Yoshiaki, Picasso/Braque, Gendai Sekai Bijutsu Zenshu 7 (Tokyo: Kawade Shobo, 1966), p.Art Institute of Chicago Annual Report (1965–1966), pp.Segui, Sinichi, Pablo Picasso (Tokyo: San-Ichi Shoho, 1964), pl.National Museum of Modern Art, Pablo Picasso (Tokyo: National Museum of Modern Art, 1964), cat.64–65 (ill.), as Female Nude Under a Pine. “Dunn International Exhibition: The Best Contemporary Paintings Come to the Tate,” Studio CLXVII (January 1964), pp.Brassaï, Conversations avec Picasso (Paris: Gallimard, 1964 London: Thames and Hudson, 1966), fig.Beaverbrook Art Gallery, Dunn International Exhibition (Fredericton, New Brunswick, Canada: Beaverbrook Art Gallery, 1963), cat.Museum of Fine Arts, Three Spaniards: Picasso, Miro, Chillida (Houston: Museum of Fine Arts, 1962) (ill.). ![]() Pick Reference Number 1965.687 Copyright © 2018 Estate of Pablo Picasso / Artists Rights Society (ARS), New York Extended information about this artwork (circa) or BCE.ġ959 Medium Oil on canvas Inscriptions Signed, l.r.: "Picasso"ĭated on verso: "20.1.59." Dimensions 194 × 279.5 cm (76 3/8 × 110 1/8 in.) Credit Line Bequest of Grant J. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. Status On View, Gallery 394 Department Modern Art Artist Pablo Picasso Title Nude under a Pine Tree Place Spain (Artist's nationality:) Dateĭates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. He also used bold, modernist forms that reference his own earlier artistic styles: the flattened face, segmented legs and torso, and multiple viewpoints recall some of his Cubist works, and the color palette evokes his classical style of the 1920s. In contrast to his predecessors, however, Picasso placed the monumental figure on rocky terrain, rather than on a plush chaise. In Nude under a Pine Tree, Pablo Picasso looked to the long tradition of figurative painting, including the female nudes of Francisco de Goya. For many artists living amid the destruction and rebuilding of postwar Europe, artworks of the past offered a sense of continuity and order. ![]()
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